Paul Phillips

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'Well done masked man'
'Magnificent folly'

PAUL PHILLIPS -  “Contradictions”


My old pal John Montague mailed this record to me several weeks back; ‘Would you give Paul’s CD a listen and put some of your thoughts down on paper?’ I decided I would resist the temptation to research Paul’s background and just concentrate on the music, try and build up a picture of the man from his songs alone.


The cover shot of a big Gibson guitar, and Paul’s hands, says a lot about this project, I suspect. These songs have been whittled with love and care. Paul’s simple accompaniment creates a comfortable backdrop for his gifts as a writer and communicator. As William Shakepeare’s Othello once said modestly, prior to unleashing a majestic soliloquy; ‘I will a round unvarnished tale deliver.’


There are no fancy production tricks here; the song is ‘King’ as Mr Phillips picks or strums his guitar in a supportive, understated fashion. John Montague adds a little guitar colour here, a harmony there. Elsewhere Nigel Lawson blows a little harp while Bill Cassell plays some tuba.


What of the songs? The opening Contradictions, appears to discuss the difficulties of a relationship; ‘Still we keep coming back for more’ and the realisation that all we have in this world is each other. The topical This Is The Deal looks at economic woes; ‘The market can’t be wrong, there’s wealth to be made’ The sprightly country guitar picking, and Nigel Lawson’s weary harmonica, are most effective.

The finger-picked Love’s Lantern and Crazy Days are both poignant pieces; the latter looks back fondly on a relationship. Evening Candlewax is a moody nostalgic piece, the song title serving as an effective metaphor for times gone by.


Mrs Hilda Jones lightens the tone with its jaunty melody. The lady in question breaks into song beneath the landmarks of London. The sense of setting and fun gives the track a Kinks sort of fee. The unaccompanied Mother Earth creates contrast while Running On Empty (not the Jackson Browne song) looks at the passage of time and an awareness of ones mortality, ‘I’ve been reckless, I’ve been wise’.

 

The closing Remember Yesterday expands on the previous tracks sentiments and may just be the finest number in the set. It is a beautiful song, nostalgic and poignant; ‘Whatever else may change, memories remain.’


  Mr Phillips, I’ve never met you, but you have bravely and successfully communicated some of your inner-most thoughts. That takes courage, but it is also therapeutic for you to share your songs. Well done, masked man!


John Brindle